Sarah Slipper

Sarah Slipper was born and raised in Vancouver, British Columbia, and received her professional training at the Royal Ballet School in London, England, and the Royal Winnipeg Ballet School. She made her professional debut with the Royal Winnipeg Ballet and became one of the company’s leading dramatic ballerinas. Sarah worked closely with many internationally renowned directors, choreographers and teachers, including Arnold Spohr, Rudi van Dantzig, Hans van Manen, Jirí Kylián, Agnes de Mille, Galina Y ordanova, and Alla Savchenko. Sarah was noted for her classical line and dramatic abilities, dancing the principal roles in classical ballets such as Swan Lake, Les Sylphides, Giselle, and The Nutcracker. In addition to the classical repertoire, she received worldwide acclaim for her performances of contemporary ballets, most notably Nobert Vesak’s The Ecstasy of Rita Joe and the award-winning Belong pas de deux.

Following her career with the Royal Winnipeg Ballet, Sarah continued her passion for music and drama, studying theatre at the honours level at the University of Winnipeg, and in Oxford, England. Sarah has served as Rehearsal Director with both Alberta Ballet and Oregon Ballet Theatre. Sarah’s command of classical and contemporary styles is demonstrated in her active role of teaching and coaching younger dancers. In addition to mentoring and coaching the next generation of dancers at NW Dance Project, Sarah has been a guest master teacher with the Royal Winnipeg Ballet, Washington Ballet, Ballet Austin, Hubbard Street Dance Chicago, The Jefferson Dancers, and the Dance Departments of the University of Utah, Cornish College of the Arts, the University of Iowa, Cal State Long Beach, and SUNY Purchase.

As an award-winning independent choreographer, Sarah has worked with prominent dance companies including NW Dance Project, the Royal Winnipeg Ballet, Cincinnati Ballet, Oregon Ballet Theatre, Nashville Ballet, Washington Ballet, Ballet Jorgen, Louisville Ballet, BalletNY, Alberta Ballet, Ballet Pacifica, Cornish Dance Theater, and The Jefferson Dancers. She was awarded the Grand Prize for Choreography at the International Choreographic Competition Saint Sauveur 2000 for her ballet Shattered Night, created on the Royal Winnipeg Ballet. During her choreographic residency at Festival des Arts in Quebec, Canada, her ballet A River In A Dry Land, was described by the Montreal Gazette as “one of the finest choreographies produced in residency.” Sarah’s works have been described as, “visually arresting, emotionally raw, and relentlessly dynamic... pulsing with cinematic drama, transforming gesture into dialogue and movement into memory,” (Forbes.com)and “… a complete, enclosed world, a somber yet hopeful winter landscape across which the three couples thread in a long, smoothly unfolding skein of dance.” (The New York Times)

A Fine Balance, her pas de deux created during the first year of NW Dance Project, was a finalist for the prestigious Benois de la Danse award in 2006 and was performed at the Bolshoi Theatre in Moscow as part of the award’s gala celebration.

As Founding Artistic Director of NW Dance Project Sarah has created over 50 ballets to date.